Pani Dalloway i Pan Dalloway, czyli przeniesienie tekstu wysokoartystycznego do obiegu popularnego

Mrs. Dalloway and Mr. Dalloway, Transferring High Literature Text into Popular This paper explores how one of the seminal works high modernism, has been transferred popular literature by Robin Lippincott in his novella (1999). The sequel can be framed within trend cultural recycling intertextual practices which formerly marginalised fictional characters are given a voice or become more exposed. Although scholars have studied generic status text, “recursiveness” Bloom’s “anxiety influence” (James Shiff, Monica Latham Bret Keeling); transformative potential original as well images London (Monika Girard), there is still paucity scholarship on narrative patterns concept time. Therefore author following seeks to fill this void analyse elitist text modernism with respect aforementioned aspects.